Author and subject index to volume 12 (1993)

Museum Management

and Curatorship

Author and Subject Index to Volume 12 (1993) NOTE: Titles of main articles and subject headings are in bold type, titles af publications in itabc type. Specific aspects of subiecr cateeories are indicated in uarentheses following the author’s name. The abbreviation PD refers to’items in the Pub&ions Digest sections.

Acquisitions

{see also Disposals)

Art gaiferies

f)ON.%HLJE (policy for), 257-66 WRJMT (PD) (science and technology

329 Administration

and management

museums),

(see else Personnel)

AMBROSE (PD) (handbook), 437 AMBROSE and RUNYARD (PD) (forward

planning),

220 CANNON-BROOKES (Deutsches

Museum courses), 436 CATO (natural history museums), 73-90 IOHNS and CLARK (aualitv auditing), 360-6 SMITH (research de$rtm&t), 349-y$ STAM (and New Museology), 267-U THOMPSON (I’D) (handbook), 222-3 ALLEN, BILL, Legal perils: loan agreements that go beyond the scope of your coverage, 214-15 A~WXE, TIMOTHY, Man&zn mz’121 museums a plririe to goad prac&?, 437 - AMBROSE, TIMoTHY and &F?YARD.

SUE teds>.

AMERICAN INSTITUTE FOR TWECON~ERVATIOI\: OF HISTORIC AND ARTISTIC WORKS, Museums in

historic burldings symposium, I 14-15 Archaeology CANNON-BROOKES (Chile Cultural Center), 415-16 MILLER (exhibition development), 63-72 WEKZEL (falsification and mis-dating), 127-42 Architecture and building management AF(IERIGAN INSTIXJTE FOR THE CONSERVATION OF

HISToRK AND ARTISTK WORKS (I’D) (museums in historic buildings), 114-15 CANNON-BROOKEs: (fire protection), 113, 325-6; (Gas Hall, 3irm~ngh~m), 409-l 1; (Guggenheim Museum), 405-S; (National Gallery of Scottish Art and Museum of Scotland), 312-14; (Old Royal Observatory, London), 201-3; (Paxton House), 203-4; (temporary exhibition space), 96-101; (thesaurus), 428 DARRAGH and SNYDER (PD), 220-l EDIT~RIAI_ (Holocaust Memorial Museum), 339-48 HASSLER (PD) (Staarliche Kunsthallc, Karlsruhe), 437-8 MLINARIC (Zemaljski Muzej, Sarajevo), 318-19 SARNI~ (PD) (Austrian muscums), 116-17 SIJAR& (war damage effects), 19%201

praaice,

440-I

(see also Paintings) 329-30 C~~~C)N-B~~OKES (temporary exhibition space), 96-101 C~NF~RTI (history and values), ~45-55 JOWES (PD) (Ambrosiana), 330-l WATERFIEL~ (PD) (Britain), 327 Art history HULBERT et al. (IQ) (and conservation), 224 JOHNSON (deconstruction in), 91-4 Art market CANNON-BROOM (monitoring through Thesaurus), 411- 15 CEP.TREGORGES P~MPIDOU (PD) (in Single European market), 442 Arts techniques and technology NEC&KoV./I (Central Europe], 419-21 BJURSIXOM(PD) (history),

BEARMAN, DAVID, Interactivity museums, 183-93

in American

BERGEON, S~GOL~NE, Science et patience, 01 la ~~~t~~r~ti~~ des peintures, 117 BERGHUIS, PAUL, New clothes for the Reinwardt Academy, 403-5 Biography and autobiography CANNON.BROOKES (Hugh Blaker), 309-I 1 COLBERT (William I%&?; Matthew), 226-7 iONES (I’D) (Federico Borromeol, 330-t BJ~ZRS’IX~M,O’ER, ?%e genesis of

t&‘art

mttseum in rhe

l&h centMu): 329-30 Botanical collections EDMONDSO~N (c~nse~atio~),

B&ding

see Architecture

319-Z

and building

management

CA~~A~~~~, NK~OLO, The Solander Box: its varieties and its roIe as an archhal unit of storage for prints and drawings , 387-400 CAMERON, DUNCAN FERGUS~N, Marble floors are cold for small, bare feet, 159-70 CANNON-BROCXES, PETER (see also Editorials), Art and Architecture Thesaurus, 428; Bertram Bulmer and the Hereford Cider Museum, 107-S; Choose wet or burned objects, 325-6; Cultural Center for Antiquity of Chile, 415-16; The Delta Plan for the preservation of cultural heritage in the Netherlands, 303-7; Frames for rge genre paintings of Pietro Rorari, 324-5; The frames of Thomas Eakins, 431-5; Framing Burne-jones, 111-12; Further developments in Scotland, 312-14; Glare and the display of warercoiours,

444

Index

CANNON-BROOKES, PETER - continued 209-l 1; Hugh Blaker and the Holburne of Men&e Museum, Bath, 309-l 1; ICOM-CC: preventive conservation and heritage terrorism, 417-18; The Institute of New International Visual Arts, 416-17; Is the ‘dream’ gallery really a nightmare?, 96-101; John Harrison and the Old Roval Observatory. 201-3; Lessons from Eur-Apex’93, 20516; Managing AIDS in the workplace, 322-3; The Museo Cartaceo of Cassiana da1 Pozzo, 307-S; Museum management courses at the Deutsches Museum, Munich, 436; New displays of Far Eastern art in London, 101-7; Partnerships: museums and communities AAM 1993, 315-17; The rebirth of the Gas Hall, Birmingham, 409-l 1; Reopening of the Guggenheim Museum, New York, 405-8; Restoration 94, 423; Selene thermohygrograph, 208: The shadows of a lost frame. 428-31: The picture gallery at Paxron House restored, 203-4; Thesaurus and the tracing of cultural property, 411-15 Cataloguing CANNON-BROOKES (Art and Architecture Thesaurus), 428 CATO, PAISLEYS., The effect of governance structure on the characteristics of a sample of natural history-oriented museums , 73-90 CECCHI, ALESSANDRO, La cornice fiorentina e senese, storza e techniche dr restauro, 117-18 CENTRE GEORGES POMPIUOU, March& commun et mar&P de Part: actes du colloque, 442 CLARK, SUE L. see JOHNS, NICK COLBERT, EIXXTNH. William Diller Matthez: paleontologzst: the splendid drama obsewed, 226-7 Collection management (see also Acquisitions; Disposals) F~RSTER and RUE (PD) (musical), 328-9 S\~ITH (and research), 349-59 THO~~PSON (PD) (handbook), 222-3 Computers and computerization BEARUAN (interactive multimedia), 183-93 KEATE) (copyright of electronic documents), 321-2 MAIN (imaging), 319 Conferences and symposia CANNON~BKO01;ES: (AAM 1993), 315-17; (antiquities trade), 411-15; (fire protection), 325-6; (ICOM- CC), 417-18; (Restoration 94), 423 COTS (I’D) (muscology), 118-19 EI~ITOKIAL (ICOM), 3-10 HATTON and MILEHAM (education services), 211-14 MAIU (imaging and computer graphics), 319 MILI.FR (deaccessioning), 424-6 NF.~AS~U\ A (historic arts techniques), 419-21 CONI.ORTI. MlCl+hEl., History, value and the 1990s art museum. 245-55 Conservation and restoration Ahtt~~r oh INSTITUTE FOR T~IE CONSEK~ATION 01: HISTORIC: ANII ARTISTIC WORKS (PD) (historic buildings). 114 15 BER(;EO\ (I’D) (paintings). 117 CALI).AK.~RO (and storage conditions), 387-400

Conservation and restoration - continued CANNON-BROOKES: (Dutch cultural heritage), 303-7; (ICOM Committee for Conservation), 417-18; (Restoration 94 exhibition), 423; (temperature and humidity measurement), 208 DOUGLAS-HOME (Siebenburgen), 401-3 EDMONDSON (in herbaria), 319-21 HULBERT et al. (I’D) (and art history), 224 HUTTON (PD) (NMGM masterplan), 438-9 KARP (PD) (musical instruments), 327-8 NECASKO~A (paintings and sculpture), 419-21 O’REILLY (Romania), 421-3 POSSELLE (PD) (Old Masters), 223-4 RYDER (tools and supplies), 208-9 SHELLEY (PD) (paintings), 329 SIJARIC (after war damage), 195-201 WENZEL (after war damage), 95-6 WOODS (humidifier use), 207 CORDES, PETER (ed.), Landesmuseum Joanneurn, Graz: Jahresbericht 1991, 118 COTL, MICHEL (ed.), Museologlcal trends in Quebec, 118-19 Cultural policy CANNON-BROOKES: [Netherlands ‘Delta Plan’). 303-7; (new internationahsm), 416-17 ” DANVPRS (minority and rural museums), 224-5 DOUGLAS-HO~IE (Romania), 401-3 EDITORIAL (museums as tourist attractions), 123-6 LOPEZ (European Community), 143-57 SCHOUTEN (museum future), 381-6 WENZEL (Bosnia), 127-42 Cultural property (see also Acquisitions) CANNON-BROOKES (tracing through Thesaurus), 411-15 CENTRE GEORGES PohtPllxxi (PD) (controlled movement), 442 INTERPOL (stolen, catalogue of), 442 LOPEZ (EC policy), 143-57 Cultures CAMERON (boundaries between), 159-70 DANVERS, REBECCA W., National needs assessment of small, emergmg, mmority And rural musetims in the United States, 224-5 DARRAGI~, JOAN and SN~L~ER,JAI\IES S., Museum design: plannmg nnd buildmg for art, 220-l Deaccessioning See Disposals Design see Architecture; Display Dictionaries ROSE (PD) (for museum object couriers), 225 Directories ESPEL.ANI1and STEEN (PD) (Norwegian museums), 222 FARNSUUZTI~ (PD) (Canadian museums), 327 FLANNIGAN (Tokyo museums), 438 NSRON (PD) (Quebec muscums), 221-2 VALLISAAKI (I’D) (Finnish museums), 222 Disasters see Emergencies and disasters Display CA~L‘NON-BROOUS: (Far Eastern art), 101-7; Ipl$y;lic exhibition). 205-6; (watcrcolours), EDITOKIAL (dinosaurs), 235-44 KENTI.EY and NI:~;us (PD) (labclling), MIL.L~K (prehistoric artcfacts), 63-72

441

Index Display - contmued PHILLIPS (open learning training package), 435-6 RYDER (showcase latches), 426-7; (tools and supplies for), 208-9 SHAFERNICH (reconstructive, in museum villages), 43- 61 STATHAM (interactive), 215-19 WEST (sculptures), 109-l 1 Disposals and deaccessioning MILLER (workshop on), 424-6 Documentation BEARMAN (interactive multimedia), 183-93 CANNON-BROOKES (Art and Architecture Thesaurus), 428 DONAHUE. PAUL F., A strategy for developing and managing a national collection, 257-66 DOUGLAS-HOME, JESSICA, Saxon culture in the Siebenbiirgen, 401-3 Editorials: ICOM at the cross-roads?, 3-10; Museum life after Jurassic Park, 235-44; Tourism and the museum-industry: paymaster, pollutant and worse?, 123-6: Whose Holocaust?. 339-48 EDMONDSON, JOHN, Conservation and the herbarium: report of the Liverpool conference, 319-21 Education and learning HATTON and MILEH~M (crisis in), 211-14 HIRZY (I’DI (excellence and eauitv ini. q39-40 McMh&s {memory studies in’ e&&a&g), 367-80 Emergencies and disasters MLINARIC (warfare), 318-19 SIJARIC (warfare), 195-201 WENZEL (warfare), 95-6 Environment see Museum climatolology ESPELAND, ELSE and SVEEN, KARE (eds), Mtrse~ms in Norwy, 222 Exhibitions (see also Display) ALLEN (loan agreements and insurance), 214-15 CANNON-BROOKES: (Bellini altarpiece), 428-31; (Museo Carracco), 307-S; (philatelic), 205-6; (space limitations), 96-101 ‘. MCMANUS (visitors’ memories of). 367-80 MILLER (archaeological), 63-72 SARNITZ (PD) (museum buildings), 116-17 SEAGRA~~et al. (audience research in planning), 29-41 STATHAM (interactive), 215-19 Fakes and forgeries WENZEL (Bosnian artefacts), 127-42 FARNSWORTH, CYNTHIA, Off;c& directory of Canadian museums and related instuutzons. 327 FLANNIGAN, THO~~AS and ELLEN, Tokyo museums: R complete guide, 438 FORSTER, KATE ARNOLL) and RUE, HEI.ENF LA, Museums of music, 328-9 Friends and supporters groups (se’: .zlso Sponsorship) O’REILLY (for Romanian consewation work), 42 l-3 GARDEN, SALLY see KAHN, How,w) Geological collections see Palaeontological

collections

445

Handling, packing and transportation MEC~LENBURG (PD) (paintings), 225-6 RICHARD et al. (PD) (paintings), 225-6 ROSE (PD) (phrase book for), 225 SHELLEY (PD) (art objects), 329 HASSLER, UTA, Staatliche Kunsthalle Karlruhe, 437-8 HA?TON, ALF and MILEHAM, SUSAN, Museum education services in crisis: report on the seminar, 211-14 HIRZY, ELLEN COCHRAN (ed.), Excellence and equity; education and the public dimension of museums, 439-40 Historical and heritage museums CANNON-BROOKES (Chile Cultural Center), 415-16 EDITORIAL (Holocaust Memorial Museum), 339-48 SHAFERNICH (reconstructive displays), 43-61 History of museums (see also Bidgraphy) BIURSTROM (PD) (art museums). 329-30 CANNON-BF&OKE~: (Birmingham, UK), 409-l 1; (Holburne of Menstrie Museum), 309-l 1; (Muse0 Cartaceo), 307-S JONES (PD) (Ambrosiana), 330-l PENNY (PD1 (EuroDean sculuture in Ashmolean Muse&, 115L16 L WENZEL (Bosnia), 127-42 HULBERT, ANNA et al. (eds), The conservator as art historun, 224 HUTON, LES (ed.), The Conservation Centre masterplan, 438-9 Industrial museums see Technology and industrial collections Information storage and retrieval BEARMAN (interactive multimedia), 183-93 KEATES (electronic, copyright protection), 321-2 LOW’EN~HAL (and oblivion), 171-82 Insurance ALLEN (and exhibition loan agreements), 214-15 INTERPOL, Theft of cultural property in Canada, 442 IOHNS, NICK and CLARK. SUE L.. Customer perception auditing: a means of monitoring the service provided by museums and galleries, 360-6 JO~IXSON, DEBORAH J., Is art central

to art history (and other debacles)?, 91-4 JONES, P.4MEI.A M., Federico Borromeo and the Ambrosiann: nrt patronage and reform in seventeenth- century MiLzn, 330-1 KAFIN, HOWARD and GARDEN, SALLY,Job attitudes

and occupational stress in the United Kingdom museum sector, 285-302 KARI: GARY (ed.), The conservvatlon and tecbnolow of music nn&ments, 327-S KEATES, SARAH, Electronic publishing and copyright protection, 321-2 KENTLEY, ERIC and NEGUS, DICK, Ecrire SW les mws: un guide pour la pr&entation dans une expositzon, 441 “2

,

Law and legal matters CENTRE GE.C)RC;ES PohlPlDCw (PD) (EC art market),

HALL, ED\YIARD,Security curtain for the Amaravati sculptures at the British Museum, 112-13

442 KEATFS (copyright

protection),

321-2

Index

446 LOCKE-IT,CHRISTINE37. see SEAGRAM, BELINDA CRAWFORD et al. L&x, SUSANA, The cultural policy of the European

Community and its influence on museums, 143-57 LOWENTHAL, DAVID, Memory and oblivion, 17142

MCLEAN, FIONA COMBE, Marketing in museums: a contextual analysis, 11-27 M~MANUS, PAULE~E M., Memories as indicators of the impact of museum visits, 367-80 MAIN, PETER, Imaging the past: electronic imaging and computer graphics in museums and archaeology, 319 Management see Administration and management Marketing MCLEAN, 1 l-27 MAKSDEN, JULIE see HULBERT, ANNA MECKLENBURG, MARION F. see RICHARD, MERQN MECKLENBURG,MARION E (ed.), Art in trunsrt: studies in the WdrZSQOYt of paintings, 225-6 MERRILL, Ross M. see RICHARD, MERVIN et al. MILEHAM, SUSAN see HATTON, AL.F

MII.LEK, STEVEN,The evolution of 12000 yeurr in Maine, 63-72; Report on the Deaccessioning Workshop at the 1993 AAM annual meeting, 424-6 MLINARIC, DAVID, The decoration of the Zemaljski Muzej, Sarajevo, 318-19 Museofogy and philosophy ARPIN (PD), 440-l BERGHUIS (Reinwardt Academy courses in), 403-5 CAMERON (museums as cultural constructs), 159-70 CONFORTI (art museum v&es), 245-55 CORDES (I’D) (Austria), 118 C6TE (I’D) (Quebec), 1 IS-19 EDITORIALS: (ICOM conference), 3-10; (tourism and museums), 123-6 LOW;‘ENTHAL(memory and oblivion), 171-82 SCEioLPTEN(future of museums), 381-6 STAM (management implications of New Museologp), 267-83 Museum climatology and environment CALJIARAR~ (and storage prints and drawings), 387-400 CANNON-BROOKES (temperarure and humidity measurement), 208 WoODS (humiditv control), 207 Music and musical’instroments FORSTERand RUE (I’D) (UK coilections), 328-9 KARP (I’D) (conservation and technology), 327-8 Natural history museums (see also Botanical collections; Palaeontological collections) CAT0 (governance structure), 73-90 EDITORIAL (dinosaurs in), 235-44 NEcASKWA, MILEKA, Symposium on historic art techniques employed in Central Europe, and the Czech School of Resoration, 419-2 NEWS, DICK see KENTLE~, ERIC NERON, FRANCIKE (ed.), RPperrozre: les inrritutions tnus&&s dar Quebec, 221-2 O’REILLY, SUSAK, Consewation

for Romania,

421-3

Painting and visual arts (see also Art galleries; Art techniques; Sculpture) BERGEON (PD) (restoration), 117 BJIURSTROM(I’D) (history of collection), 329-30 CALDARARO (storage), 387-400 CANNON-BROORES: (Far Eastern), 101-7; (frames), 111-12, 324-5,428-31,431-5; (in Holburne of Menstrie Museum), 309-l 1; (new internationalism), 416-17; (watercolour mounts and frames), 209-l 1 CECCHI (PD) (Italian frames), 117-18 MECKLENBURG(PD) (packing and transportation), 225-6 POSSELLE (I’D) (restoration), 223-4 RICHARD et al. (I’D) (packing and transportation), 225-6 SHELLEY(PD) (care and handling), 329 PaIaeonto~ogical collections COLBERT (William Diller Matthew’s contribution), 226-7 EDITORIAL (dinosaur display), 235-44 PATEN, LESLIE H. see SEAGRAM,BELINDA CRAWFORD et al.

PENNY, NICHOLAS, Catakogue of European SCUiQtUTe in the Ashmolean Museum, 115-16 Personnel and training BERGHUIS(Reinwardt Academy courses), 403-S CANNON-BROOKES: (AIDS), 322-3; (Deutsches Museum courses), 436 JOHNSON (art historians), 91-4 KAHN and GARDEN (attitudes and occupational stress), 285-302 PHILLIPS (open learning package), 435-6 Shlr’~x (research role), 349-59 PHILLIPS, DAVID, Nnvef approaches to gallery interpretation, 435-6 POSSELLE, LAURENCE (ed.), Les notes de Cana de Veronese: unr oetlwe et sg restawation, 223-4 Publishing KEATES (electronic), 321-2 Research .%ITH (at Victoria and Albert Museum), 349-59 Restoration see Conservation and restoration RICHARD, MERVIN et di. (eds), Art in transit: handbook for packing nnd trdnSQortr?Ig Qdtnrings, 225-6 ROSE, CORDELIA, Courierspeak: a phrase book for cotrriers of mweum objects. 215 RUE, HELENE LA see FORSTER,K~?TFARNOLI~ RUNYARU, SUE, MEcseidms and tourism: mrrtlral benefit, 441-2; see also A~IBROSE,TIXIOTH>RYDER, CHARLES,Benchmark comes to the United Kingdom, 208-9; The Greenwald pneumatic latch system, 426-7 Safety (see also Security) CANNON-BROOKES:(AIDS management), 322-3; (fire protection), 113, 325-6 SARNITZ, AUGUST (ed.), Mtiser
Index Science museums (see also Naturai history museums; Technology and industrial collecrions) DONAHUE (collection development and management), 257-66 WRIGHT (I’D) (acquisitions policies), 329 Sculpture HALL (security), 112-13 NECASK~VA (medieval), 419-21 PENNY (PD) (European), 115-16 WEST (display), 109-l 1 SEAGRAM, BELINDA CRAWFORD et al., Audience research and exhibit development: a framework, 29-41 Security (see also Insurance; Safety) HALL (sculpture exhibition), 112-13 INTERPOL (Canadian cultural property), 442 SHAFERNICH, SANDRA M., On-site museums, open-air museums, museum villages and living history museums, 43-61 SHELLEY, MARJORIE, The care and handling of art objects: practices in the Metropolitan Museum of Art, 329 SIJARIC, RIZO, Update on the Zemaljski Muzej, Sarajevo, 195-201 SMITH, CHARLES SAUMAREZ, The practice of research at the Victoria and Albert Museum, 349-59 SNYDER, JAMES S. see DARRAGH, JOAN Sponsorship SCALTSA (PD) (UK and Greece), 439 STAM, DEIRDRE C., The informed muse: the implications of ‘The New Museology’ for museum practice, 267-83 STATHAM, RICHARD, Getting to grips with Japan: a visitor survey undertaken for the Horniman Museum, 215-19 Storage CALDARARO (in Solander Box), 387-400 SVEEN, KARE see ESPELAND, ELSE

447

Technology and industrial collections CANNON-BROOKES: (astronomical), 201-3; (Hereford Cider Museum), 107-8 DONAHUE (development and management), 257-66 WRIGHT (PD) (acquisitions policies), 329 THOMPSON, JOHN M.A. (ed.), Manual of cwratorship: a guide to museum practice, 222-3 TODD, VICTORIA see HULBERT, ANNA Tourist industry EDITORIAL (and museums), 123-6 RUNYARD (PD) (and museums), 441-2 Transport see Handling, packing and transportation VALLISAARI, HILK~A (ed.), &omen Museot: Fmnish museums, 222 Visitors EDITORIAL (as tourists), 123-6 JOHNS and CLARK (perception auditing), 360-6 MCMANUS (memories of museum visits), 367-80 RUNYARD (PD) (as tourists), 441-2 SCHOUTEN (future needs), 381-6 SEAGRAM et al. (research into interaction with exhibits), 29-41 STATHAM (survey in interactive exhibition), 215-19 Visual arts see Painting and visual arts Volunteers see Friends and supporters groups WATERFIELD, GILES (ed.), Palaces of art: art galleries in Britain 1790-1990, 327 WENZEL, MARIAN, Bosnian history and Austro-Hungarianpolicy: the Zemaljski Muzej, Sarajevo, and the Bogomil Romance, 127-42; The Zemaljski Muzej, Sarajevo, 95-6 WEST, MICHAEL, The Amaravati sculptures at the British Museum, 109-l 1 WOODS, PHIL, Improvements to the Defensor range, 207 WRIGHT, THO~~AS (ed.), Museum collecting policies in modern science and technology, 329